You can't just have a great hero go up against a cookie-cutter villain. Whatever you come up with needs to be either big, intriguing, or preferably both. Or you can pose a mystery that draws the audience in, as The Bourne Identity did so well. You can take a cue from the original Mission Impossible and focus on early twists, turns, and intrigue. Or Mission Impossible: Rogue Nation's take on that trope. You can go the James Bond route, and focus on action spectacles. While some may believe that the big thrilling spy movie opening has become a cliché, you can't deny the expectation that audiences (and studios) have when they sit down to watch a spy thriller.īut remember that there are many different versions of a big opening. It's up to you, the writer, to take the subgenre in a new direction or center it around something unique and different. Hollywood has read so many versions of those stories. Whatever the concept may be, it has to stand out from the already ingrained spy thriller franchises. Is there a way to weave a spy thriller concept into the horror genre? Is there a MacGuffin that is intriguing enough to center your spy thriller around? ( Austin Powers: Internation Man of Mystery) ( Tinker Tailor Soldier Spy)Ī 1960s secret agent is brought out of cryofreeze to oppose his greatest enemy in the 1990s, where his social attitudes are glaringly out of place. In the bleak days of the Cold War, espionage veteran George Smiley is forced from semi-retirement to uncover a Soviet Agent within MI6. ( Kingsman: The Secret Service)Ī bookish CIA researcher finds all his co-workers dead and must outwit those responsible until he figures out who he can really trust. ( True Lies)Ī spy organization recruits an unrefined, but promising street kid into the agency's ultra-competitive training program, just as a global threat emerges from a twisted tech genius. ( Spy)Ī fearless, globe-trotting, terrorist-battling secret agent has his life turned upside down when he discovers his wife might be having an affair with a used car salesman while terrorists smuggle nuclear warheads into the United States. ( Spy Game)Ī desk-bound CIA analyst volunteers to go undercover to infiltrate the world of a deadly arms dealer and prevent diabolical global disaster. Retiring CIA agent Nathan Muir recalls his training of Tom Bishop while working against agency politics to free him from his Chinese captors. You need to create a unique and original spin on the popular subgenre.Ī logline is the expression of the intriguing concept you've conjured, answering the question of who, what, when, where, how, and why.Ī hapless New York advertising executive is mistaken for a government agent by a group of foreign spies and is pursued across the country while he looks for a way to survive. That's not going to be enough to sell the script on spec. You can't simply create your own Bond, Bourne, or Hunt, give them a new name or gender and pass them off as your own. It's not enough to tell your version of those types of spy thrillers. If you're not hired to write the latest James Bond, Jason Bourne, or Ethan Hunt blockbuster, you have to do your best to find a killer logline that will force Hollywood decision-makers to take notice. Screenwriters can mix and match these keys to apply to their spy thriller scripts, depending on the genre they are blending it with. While there are many obvious variances of what makes a great spy thriller - due primarily to the popular subgenre that is often blended with other genres - here we feature seven essential elements to great contemporary spy thriller scripts, inspired by Graeme Shimmin's Writing Spy Fiction with an Unputdownable Plot blog post. Smith), slow-burn thrillers ( Tinker Tailor Soldier Spy, Syriana, The Third Man), compelling television series ( Homeland, 24, Jack Ryan), and so many more. We've had spy thrillers based on true stories ( Bridge of Spies and Argo), slapstick comedies ( Spy, the Austin Powers Trilogy, Top Secret!), action comedies ( True Lies, Mr. What does it take to write a great spy thriller?įrom the James Bond franchise to every Mission Impossible installment - and everything around and in between - the spy thriller has long been one of the most intriguing genres in film and television.
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